Discalced Carmelite Friars

Province of St. Therese

Poet and Contemplative

“From the abundance of his spirit [the poet] pours out secrets and mysteries rather than rational explanation” (Prologue, The Spiritual Canticle).

“In contemplation God teaches the soul very quietly and secretly, without its knowing how, without the sound of words” (Chapter 39, The Spiritual Canticle).

In the spirit of St. John of the Cross, this blog reflects on the contemplative experience and the poetic experience, sometimes separately and distinctly, sometimes in common, as mutually enlightening.

I will also post to this blog, from time to time, my own poetry, with a short interpretive note attached.

~ Fr. Bonaventure Sauer, OCD

Poetry - 2nd in a Series

Previously, I submitted two poems posted on our provincial blog, the Discalced Carmelite Friars - Province of St. Therese.  As part of the re-organization of our blogs, those two poems are being moved to this blog, Poet and Contemplative, as part of a Poetry series. Here is the second poem.  A short interpretive note follows.  Into AfternoonWe knew all along about the shadows, howThey
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Poetry - First in a Series

My intention is, from time to time, to submit poems I’ve written and have them posted on this blog, Poet and Contemplative. Previously, I submitted two poems to the Discalced Carmelite Friars - Province of St. Therese Blog. In re-organizing the blogs of our province, those two poems are now being moved to this one. Here is the first. For those of you who enjoy poetry, I hope they will speak
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A First Serving (the poem The Dark Night)--Part One

        I've been speaking in the opening three posts of this blog—which I've called, "Setting the Table"—about the act of creation, both divine and human.  But I’ve been doing so in much too abstract a way.  It's time to get specific and look at a particular instance of, in this case, poetic creation—a well-known instance, the poem
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Setting the Table—Part Three

        St. John of the Cross has little to say about poetry itself or the process of its composition.  What he does have to say is almost exclusively to be found in the prologue to his commentary on The Spiritual Canticle, where he discusses, briefly, the sources of his inspiration and the manner of his poetic expression.  For example, in the first paragraph
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